K G Subramanyan | K G Subramanyan Serigraphs | Modern Indian Art


Posted September 28, 2017 by artgallery2011

Paintings by K G Subramanyan Online at best prices in hyderabad. K G Subramanyan is a famous Painter, sculptor, muralist, printmaker, writer, academic,india

 
K G Subramanyan, WHO died in Baroda on weekday at the age of ninety two, was one in every of India’s most senior artists, operating with numerous media and materials, and exhibiting extensively each among and outdoors the country. referred to as a lot of for his wide-ranging scholarship as for his artworks that area unit choked with wit, subversion, eroticism and significant social comment, Subramanyan was a soaring figure in fashionable Indian art. Excerpts from Associate in Nursing interview conducted in 2014.
From the mid-1980s, icons and legendary characters figure in your paintings. you are doing not use them as typical symbols however set them up in juxtaposition to real-life animals or figures, sort of a monkey against Hanuman or a contemporary lady against Hindu deity. otherwise you use them as metaphors so as to articulate your vision of the globe. might you justify this a little?
My works have continually sought-after to maneuver between the $64000 and therefore the imagined. True, what we have a tendency to decision real is itself a picture of a form. My main interest was once within the passage of the target to the abstract. Abstract to mean here a picture of relative obscurity. that allowed it a spread of interpretations. Gave it the flexibility to play varied visual roles.
Now the cross-connections i'm curious about area unit additional sophisticated. the photographs area unit quite visual. they need a posh identity, numerous cultural associations and background traditional knowledge.
The image of Hanuman includes a whole line of characters behind it. Associate in Nursing bold monkey WHO ventures to capture the sun, WHO has the god of wind as father and gets from him speed, power, agility, volatility and therefore the ability to alter in size. Later, a staunch buff of Rama, his representative and worshipful vehicle.
His role ever-changing from the mischievous and comic to the heroic. in a very Kathakali act, he delights his audience along with his monkey tricks. In Associate in Nursing picture painting, he flies through the air, carrying a mountain on that grow life-saving herbs.
Similarly, Hindu deity has varied versions, starting from a sublime unit spiritual being, virtually sort of a member of the family, to a multi-armed war immortal WHO rides a lion or tiger and fights and slays the buffalo demon. The lion or the tiger, even the monkey, symbolise the positive powers that fireside and support our initiatives; the buffalo, on the opposite hand, represents a negative power or inertia.
K G Subramanyan Artist pictures definitely have their origins in common scenes determined in city or village. The vision of Associate in Nursing able lady in a very individual village making an attempt to regulate a runaway buffalo calf or a lean Bengali indweller doing constant, although with additional physical ability than strength, offer you 2 image sources for Hindu deity.
What I actually have a watch for area unit these sources, wherever the icon unfolds from the particular. And holds among it hidden implications – of the divinities inherent in kinsfolk and their powers. and therefore the would like of the soul to be perpetually conscious of the conflict between benevolent and malevolent forces, or the angel and therefore the demon, among himself.
In a approach it permits you to retrieve the past, a minimum of fragments of it, in a very bound approach, as a counterpoint if not as a continuity. Similarly, one may also notice resonances of images or designs from alternative traditions returning into your work and nuancing your statements.
You are in all probability right. My work, so to say, deconstructs Associate in Nursing previous idea and sees its similarities with others. In our philosophy society, there area unit several versions of those. the popular ones as printed in mass media area unit simplistic; they oppose sensible and evil on either aspect of a clearly marked line. however it's seldom therefore.
In a culture wherever the gods ought to incarnate themselves as kinsfolk (sometimes when animals) to come back to the help of fellow humans, they're seldom perfect; they too have their weaknesses and vulnerabilities. This then offers one ground on that to take a position a few human being’s ascent from beast to divinity and therefore the doable alternatives. thus the color and type of our mythologies. and therefore the quite sanguine earthiness to the narratives and therefore theatricals these mythologies inspire during which the human characters is remarkably heroic and the divinities receptive criticism and caricature.
K G Subramanyan Famous Paintings , In a heap of recent art, particularly in Bharat, artists area unit virtually out of bit with the historical arts of their own country. Of course, we have a tendency to cannot expect a changeless continuity, however Indian art might still give U.S. with metaphors – it needn't be entirely inaccessible.
Strangely enough, lots of our fashionable artists have a divided alternative. to stay up with the globe at giant. And, at constant time, to preserve their cultural identity. This has unbroken them tied to the externals, meaning, to ways of statement or designs and their rapprochements. they need not gone deep into the normal traditional knowledge or their imagery; they need left it to the normal artists. Even people who selected to represent them in their individual designs.
Ravi Varma, for instance, selected the realistic vogue created fashionable by European professionals. Abanindranath Tagore plumped for a narrative vogue primarily based part on the practices of the late Mughal ateliers, part on so much japanese anecdotal painting. Rabindranath Tagore doodled Associate in Nursingd experimented with varied art forms before finally sinking for an individualistic expressionist manner. Even Jamini Roy, WHO created a acutely aware effort to forge a link with ancient practices, was additional committed the rhetorical minutiare of Kalighat pats than with cultivating a familiarity with their visual language that holds along sensibility and irony in delectable ways in which.


This interview is excerpted from the catalogue for weight unit Subramanyan’s 2014 exhibition in Calcutta, titled New Works, given by the gull Foundation of the humanities, Calcutta.
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Last Updated September 28, 2017