It’s no secret that Scorsese’s Best Director Oscar win for The Departed in 2007 was a long time coming.

Red carpet previous nominations and countless classic films produced beforehand, it felt much more like a very long time achievement award than an honor for his work on the star-studded gangster picture. Though he’d won accolades from the Hollywood Foreign Press Association, BAFTA, Cannes Film Festival and Independent Spirit Awards (a few) inside the years leading up to it, the Academy Awards eluded him for almost many years.

The music-video-director-turned-feature-filmmaker makes movies that are similar in content, tone, style and subtext to that of Scorsese’s. In the dark and sinister Se7en towards the psychologically explorative and brutally physical Fight Club for the beautifully morbid Benjamin Button, Fincher’s narratives have generally attracted a minority of moviegoers; nevertheless the quality of his authorship always demanded the interest of audiences and critics around the world. His movies have reached times tricky to watch, but when they catch your gaze you are unable to take the eye area away from them.

Still, even his most celebrated works, Button as well as The Social Network, didn't net him an Oscar win, and also attribute that on the material as opposed to his direction. Just in 2009, voters rewarded the rousing but stuffy British drama The King’s Speech over the morally ambiguous The MySpace and Facebook.

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