Shooting on location 1. Shooting on location, panning is absolutely indispensable, which can be used to give a panoramic view of the location and bring the surrounding scenery into full view. Generally, there are two types of shake, i. e. up and down and left and right. A complete shaking lens consists of three interlinked parts: the rising, the shaking and the falling.

The method of left-right swing shooting is: firstly, the body is towards the end direction of the shaking lens, and the two feet are separated to make the camera stable towards the end direction; Then twist to the beginning of the lens and start shooting. When shooting, shoot steadily for 5 seconds at the starting point as the starting point, then slowly roll over, and then shoot steadily for 5 seconds as the falling point at the end of the swing, so as to have a stable explanation and also provide convenience for later editing. When shooting, the body slowly and evenly rotates toward the end direction until the entire swing process is completed. With hand-held pan, the body generally do not need to rotate 90 °, such as more than 90 °, people will feel uncomfortable, adverse to the image stability. If the Angle of the body is above 120 degrees, you can only use the right and left turn in the training step, but should control the body center of gravity, and do not turn with a small step, otherwise it will increase the body shaking.

2. Attention should be paid to the selection of body point when shooting the bride and groom. If you shoot from a distance, your whole body will appear. If you shoot in mid-shot, close-up, and close-up, you'll need to cut a part of the subject's body from the top down. So be careful not to use your knees, waist and neck as a cut-off point. The picture of cutting on these three points makes people look uncomfortable. Unless you're working on a close-up of your face or body, the best place to cut should be under your arms, under your waist and above your knees.

3. Try to use the "one-third" composition principle when shooting the bride and groom. Placing the bride and groom in exactly one third of the frame -- rather than in the middle -- is more consistent with the visual aesthetic of the person than even the central image of the protagonist. And don't leave too much space on the top of the subject. Otherwise, it will lead to unbalanced composition and lack of beauty. The eyes should be about one-third the height above the image. If the face is below that height, the person looks as if he is falling off the screen.

Read more at:wedding dress
| online wedding dresses